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    Please use this identifier to cite or link to this item: http://ir.taitheo.org.tw:8080/ir/handle/987654321/5476


    Title: 多元樂器與人聲在「詩歌敬拜」中結合運用之探討,以新《聖詩》為例
    Other Titles: : Integrating different instruments and vocal parts in worship using hymns/songs from the 2009 PCT Hymnal in order to create an inspirational worship context
    Authors: 陳韻慈
    Chen, Yun-Tzu
    Keywords: 詩歌敬拜
    敬拜讚美
    新聖詩
    sing in worship
    worship songs
    PCT Hymnal 2009
    Date: 2013
    Issue Date: 2013-08-05T07:33:11Z (UTC)
    Publisher: 台灣神學院
    Abstract: 會眾以「詩歌」敬拜,最能觸動人心。相對於日用的語言,音樂表達無法言諭的情感,對崇拜更能發揮輔助的作用。台灣基督長老教會擁有豐富的聖詩資源庫,若針對會眾所吟唱的詩歌,運用多元樂器與人聲(詩班)作適當的配搭,將能幫助會眾更融入敬拜。
    台灣基督長老教會(以下簡稱PCT)於2009年出版《聖詩》,其中有多國的曲風以及豐富的歌詞內容。本文從《聖詩》2009中挑選八首詩歌,包括:第292首《聖哉,聖哉,聖哉》、第193首《上帝所賜活命的話》、第307首《聖詩》當聖靈佇我的心、第481首《基督恩典使我們得著合一》、第593首《遇到試煉災禍圍你真艱苦》、第15首《萬有光明極美麗》、第322首《我前若羊失迷》、和第308首《我欲唱歌來謳咾》。針對禮拜中的會眾唱詩,為幫助主領者及音樂同工從歌詞思考創意的可能性,本論文探討多元樂器、詩班與人聲的編制,以實際的詩歌敬拜形式(單曲、組曲)為範例,盼能在詩歌敬拜中有意義的運用《聖詩》,精緻的展現《聖詩》的多元風格,透過活潑的應用與深度設計的禮拜,使教會無論年輕、中壯或年長的族群都能喜愛吟唱《聖詩》,用聖詩形塑信徒生活。

    The songs we sing in worship can be some of the most inspirational parts of the service. Music in worship is often more powerful than using words alone. A variety of musical instruments can enhance our worship. PCT (Presbyterian Church in Taiwan) has many rich resources from our culture including hymns/songs, instruments, choir, and vocal groups. These resources help create a worshipful context.

    There are many hymns/songs from the PCT Hymnal 2009 which includes rich lyrics and diverse music for the church. In this thesis, there are eight songs used as examples:No. 292 “ Santo, Santo, Santo,” No.193 “Sing them over again to me,” No. 307 “When the spirit of the Lord,” No. 481 “Somos uno en Cristo,” No. 593 “When upon life’s billows you are tempest tossed,” No. 15 “All things bright and beautiful,” No. 322 “I was a wandering sheep,” No. 308 “With singing, come praise the Lord.”

    These hymn arrangements help church musical leaders improve their creativity, and prepare them to use different instruments, vocal parts, and worship styles, bringing together new models for creative worship.

    指導教授:陳琇玟老師
    Appears in Collections:[台灣神學院] 教會音樂碩士
    [3.教會音樂碩士] 畢業發表會及論文

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